Am I Weird After i Say That How To Make Love To A Black Woman Is Useless?

Am I Weird After i Say That How To Make Love To A Black Woman Is Useless?

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You're a robust, black girl, is that statement a praise, a burden, japanese huge tits on train pics a truth or a fantasy? Welcome to the present. The guide is "Fierce Angels: A strong Black Lady in American Life and Tradition." It was written by Professor Sheri Parks. There's a new e-book on the market that explores the origins of the thought and its psychological and emotional value. She joins us from WYPR in Baltimore.

Professor SHERI PARKS (Writer, "Fierce Angels: A strong Black Woman in American Life and Culture"): Hi.

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KEYES: So, former Essence editor Susan Taylor mentioned your e-book opens a window onto female black energy, both the reverence for it and what it's wrought. Is that what you were setting out to do?

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Prof. PARKS: Nicely, sure, I used to be trying to elucidate something that was going on in my very own life and one thing that I saw in other girls's lives that we had been dwelling, however not understanding. So, sure, that is precisely what I used to be making an attempt to do.

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KEYES: Speak to me about who you see as sturdy, black girls immediately. Our first lady Michelle Obama, Oprah Winfrey, who else?

Prof. PARKS: Nicely, there are definitely these, but there are lots of women in everyday life. And, really, I'm even more concerned about them, those ladies who grow up with the expectation that they are going to take care of all people, and individuals who expect them to take care of everyone. I am suggesting that black ladies already have an organically grown, conventional mannequin of feminine energy that they use to move through the world, but that the expectations that are put on them due to that are often exhausting.

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KEYES: Let's listen to a clip of Oprah from the movie "The Color Purple," where she's playing the wonderfully strong character Sofia.

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(Soundbite of film, "The Coloration Purple")

Ms. OPRAH WINFREY (Host, Actor): (As Sofia) All my life I had to battle. Girl, child ain't secure in a family of men, but I ain't never thought I had to battle in my own house. I had to fight my uncles. I had to fight my brothers. But I am going to kill him dead before I let him beat me. I loves Harpo. God knows I do. I had to combat my daddy.

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KEYES: I wonder, Sheri, is it that Oprah or the eternally empathic talk host Oprah that embodies the strong, black woman or is it each?

Prof. PARKS: Properly, each. And there is a quote in the guide from Coretta Scott King who says that black lady are sturdy as a result of they've had to be robust. Actually in "The Colour Purple," Alice Walker is attempting to say something about black girls being created by the circumstances of their lives. And definitely that's there.

But, also, I don't assume that you may clarify the sheer energy that Oprah has in American life without referring back to this image. But she's also, I feel, realized to look after herself, which is one thing that many black ladies will not be giving themselves permission to do.

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KEYES: I am fascinated that you simply stated that, as a result of I remember Octavia Butler's sci-fi novel "Kindred," where she travels back in time and finally ends up having to help her white slave-owning ancestor and injures herself actually badly in the method. How a lot is this friendly savior idea affecting women?

Prof. PARKS: Well, one of many issues that - I am by no means saying that black girls are the only strong ladies, I am saying that black ladies are the girls in this culture who are frequently celebrated for being strong. And i mean soiled in the entire ways in which we can consider that. And so, historically there are situations the place the 2 images are performed in opposition to each other, certainly throughout slavery, the weak, fragile, white Victorian ideal of a white lady was solely made doable as a result of there were black women round to do the dirty work.

I additionally say that that image is something that has maybe been preserved the robust lady has been preserved by black women, when all women at some point of their lives need to be robust. And it's something that we prepare in our ladies and something that we grow up expecting to should do and that different folks expect it of us. Perhaps black ladies have many more circumstances by which they have to be sturdy.

KEYES: However hasn't that image nearly been co-opted by the folks that paint black girls as offended? Is that who we're? They're, like, there's that African-American lady strolling down the street, or more accurately, strutting down the road carrying her sword and shield.

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Prof. PARKS: No, that's not who we're. But, I mean, you used the word co-opted, and I believe what's vital to understand is that this role is almost all the time co-opted not directly. And if you happen to consider the pictures, we regularly see that sturdy, black woman in the role of the lieutenant, the place she's working for the advantage of another person. Definitely in slavery that sturdy, black lady was literally co-opted for using the slave grasp.

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Black women often really feel that due to that, that this is a job that we must always run away from. And I am saying, when you've got a role in a culture that has such a strong and historical presence in a culture, maybe we must always turn round and have a look at it, which is what I am making an attempt to do in "Fierce Angels," is to have ladies look at this picture and see for themselves what they want to do with it.

KEYES: I want to talk a little bit about Hattie McDaniel, the mammy from the film "Gone with the Wind." You're saying that the perception of her is because folks don't perceive who she is. She's been misunderstood. And as a substitute of being this subservient individual, she was really infusing her roles, and that position specifically with some problem and pushback.

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(Soundbite of "Gone with the Wind")

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Ms. HATTIE MCDANIEL (Actor): (As Mammy) I've informed you and advised you that you can at all times inform a lady by the way in which that she eat in entrance of oldsters like a hen. And that i ain't aiming so that you can go to Mr. John Wilkes's and eat like a discipline hand and gobble like a hog.

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Ms. VIVIEN LEIGH: (As Scarlett) Fiddle-dee-dee. Ashley Wilkes instructed me he likes to see a woman with a wholesome appetite.

Ms. MCDANIEL: What gentlemen says and what they thinks is 2 various things. And that i ain't observed Mr. Ashley asking for to marry you.

Prof. PARKS: If you truly go and watch the film, she does an enormous quantity of fussing in the film. She would say, aren't white individuals foolish to think that these ladies who work for them love them that much? And one of the things she did was to mock the picture of the mammy. She had a racially uplifting theater profession before she went to Hollywood. What Hattie was doing at that second was being subversive. She's a bad maid.

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And she thought she could carry that image into Hollywood and naturally found that Hollywood wasn't a lot all in favour of that. And so we actually do misread and i say that often African-Individuals have given away their foremothers to this picture of the mammy. But she continued to attempt to infuse subversiveness into her roles. And in the event you go back and have a look at what women who're taking part in these mammies, women who have been actually residing the role as mammies, they have been typically working very onerous to use what energy that they had for the good thing about their families and their communities.

KEYES: You are listening to tell ME More from NPR News.

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We are talking in regards to the image of the sturdy, black woman with Professor Sheri Parks. She's creator of "Fierce Angels: A powerful Black Girl in American Life and Culture."

Sheri, I needed to talk to you concerning the sacred, darkish feminine this historic archetype that you simply had been speaking about. Really, this picture has been along all the best way again to how many tons of of years?

Prof. PARKS: It is again to the primary recorded creation stories where and I'm very focused on the truth that particle physics says basically the same thing, that earlier than there was anything else, there was darkness. However in fact the historical mythology mentioned, after which she gave beginning and the world begins. And so this is very... I found instances of the sacred, darkish feminine on each continent.

KEYES: Actually? As a result of I've seen mom-driven cultures, but I think I've seen that principally, like, among the many Vikings and that sort of factor. Was it really it's Africa, it's everywhere?

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Prof. PARKS: It is in all places. I imply, they are everywhere if you start looking for them. What you noticed is that the Celts really held onto it overtly longer than any European people. There are dark Madonnas throughout South and Central America. However there are black Madonnas all over Europe. There are the Native American corn goddesses.

KEYES: It's fascinating once more that you just say that. We were speaking earlier in regards to the picture of the sturdy, black girl being hijacked. If there's all this reverence for this person, how can that be? And between the marketing campaign to paint the primary lady, Michelle Obama, as an indignant, black woman, there's a film known as "Diary of a Tired Black Man," I mean, should you read a few of the media out there, it seems like no one values an African-American girl's strength or her coronary heart.

Prof. PARKS: Nicely, the flipside of reverence may be fear. All individuals needed to do was attach the label to some fairly non-angry habits. Actually Michelle Obama was painted as an indignant, black woman and notice, with very little proof. And that is why so a lot of the most popular pictures are together with her below control. However the label alone had a lot currency and worry connected to it. That idea that this strong, black woman is going to be out of control is vital to grasp.

And that idea that the sturdy, black girl out of control turns into this out of management, angry image is a really dangerous one for black women because when individuals fear somebody, they may try to harm them. And, two, that if they are not accountable for her, she will get out of management. And I believe many black women have discovered that often they've been harm by individuals who, one, assume that she cannot be harm. That she's too strong to be harm.

KEYES: Sheri Parks, creator of "Fierce Angels: The Strong Black Lady in American Life and Tradition," joined us from our member station WYPR in Baltimore. Thank you a lot for an attention-grabbing conversation.

Prof. PARKS: Thank you.